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"Flash' as we're getting into it is interesting, too. Though Barry Allen was a little lighter in the comic, I think because of the nature that he was a CSI and moved in this world of crime before this stuff happened. I think it's tonally somewhere in between 'GL' and 'Dark Knight.' It's actually a little bit darker than when we were working on ('GL'), because you're dealing with somebody who is already a crimefighter in a world of those kinds of criminals and that kind of murder and homicide. I find you talk a lot about different films when you're working on a film, and we spend a lot more time talking about 'Se7en' or 'The Silence of the Lambs' as we construct that part of Barry's world, then I thought when we got into it. It helps balance a guy in a red suit who runs really fast."
"In 'The Flash,' there's the sci-fi component and there's the crime component and it's fitting those two things together, and the sci-fi thing, we obviously want to nail that and honor that and do that in a way that feels visceral and real and cool and probably more in the tone of 'The Matrix" films or things like that."
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